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    <loc>https://www.daniellehatch.com/projects-forte</loc>
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    <priority>1.0</priority>
    <lastmod>2026-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1686878966623-A9FEWC12OY4GENUAQDRM/PXL_20230505_230300878.jpg</image:loc>
      <image:title>Projects</image:title>
      <image:caption>The Line Becomes a Ruffle 2023 Temporary Installation (Ripstop Nylon) series of six curtains, each set 9' x 6' Ammplify NWA</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1623800725659-67J386JN1YLQZFLWNOM7/20210613_183803.jpg</image:loc>
      <image:title>Projects - She Was All Things to Some People</image:title>
      <image:caption>2021, Site Specific Textile Installation, 20' x 13' x 1' Springdale, AR Three large panels of overlapping waterproof nylon fabric take formal cues from the colors of an Arkansas sunrise, and are referenced as a metaphor for the cyclical nature of this street, city and community which are constantly changing and being reimagined over time by the people that inhabit them.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1619726403893-DCC6IT2GI2JQZS8JUJRC/Guide.jpg</image:loc>
      <image:title>Projects - Guide These My Hands</image:title>
      <image:caption>2021, Site Specific Textile Installation, 6’ x 12’ x 8’ Train Station Park, Bentonville, AR, A collaboration with the poet Traci Rae Manos. Traci’s poem Foothills Healer (below) is hand-sewn into a continuous ruffle made of 126 yards of weather-proof nylon. The artwork explores the resilience of the women of Northwest Arkansas and celebrates traditional folk medicine practiced in the Ozark Mountains. The magenta fabric evokes the flower of the wild burdock plant, known for its medicinal properties. Twenty-two volunteers––all women living in Northwest Arkansas––helped to embroider the artwork. Foothills Healer Make me of a quiet mind and steadfast heart. Wake me before the sap rises in the pulp and the buds spring forth, that I might sense the first stem’s quiver in my marrow. Then will I rise early and take to the woods. I will lift mine eyes to these hills from whence comes my help. Guide these, my hands, to the sassafras and burdock, to the blue burvene, dogwood and wild cherry, so too, to the roots of sarsaparilla and mayapple. For the physicians here are few and far-between. The roads, likewise, slow-going. And it falls on us women-folk to see to it that our neighbors and loved ones are looked after in times of need— whether they be young or old, sick or dying, or with child. We are the night watchmen. It is we who keep the kerosene lamps. Traci Rae Manos</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1606685292929-PX9IWFX7G6VJ8B0GDZJ3/20200525_190241.jpg</image:loc>
      <image:title>Projects - She's on Top of Things</image:title>
      <image:caption>2020-2021, digital prints This series of self portraits explores domestic isolation and the comically absurd exhaustion of labor and caregiving during a global pandemic.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1619727677585-5WC4D4QRC2HXF8YVPOP0/DSCF2044.JPG</image:loc>
      <image:title>Projects - All The Soarings Of My Mind Begin In My Blood</image:title>
      <image:caption>2020, Singe-channel video with sound, Duration: 18:48 Taking place on the 2020 Fall equinox in the western Utah desert, this performance is an act of ritualizing and reconnecting to the physical and psychological journeys of our female ancestors. Photography Emily Hawkins Original Music by Amos Cochran Choreography by Amber Vanchiere</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1653932215423-ALIB8ONG9GCPEKQ0UFVE/The+Understory+%281%29.JPG</image:loc>
      <image:title>Projects - The Understory</image:title>
      <image:caption>2021, Digital Prints and Single-channel video with sound, Duration: 4:07 Inspired by bioregionalism as a starting point for telling the disparate stories of the intersection of land and lives, the performance ritualized the interpenetration of the female body and the ecological landscape. The work explores the connection between humans and landscape as a form of feminist world building, and looks to understory flowering trees as a model for alternate ways of living and conceiving of self and community. Photography by Cynthia Post-Hunt Videography by Jessica Whalen Original Audio by Kalyn Fay</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1686884774883-NNC0ZZ5MWXKBO2AN2LS9/PXL_20220713_123527047.PORTRAIT.jpg</image:loc>
      <image:title>Projects</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1686884028490-IJ2RGZT53EAW1WQ5IRAW/My%2BBody%2BWas%2BA%2BLonely%2BHouse%2B%25281%2529.jpg</image:loc>
      <image:title>Projects - My Body Was a Lonely House</image:title>
      <image:caption>2022, Textile Installation and digital print, 8' x 8' x 10' 21C Hotel, Bentonville, AR The installation and accompanying duration performance examine the role of domestic spaces as sites of narrative creation and female identity.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1686879534117-5XWRXDFTIEOIBUC3PK80/RLR_0160February+21%2C+2023.jpg</image:loc>
      <image:title>Projects - Mama Killa</image:title>
      <image:caption>2022, Mixed Media Installation, Dimensions variable The Ledger, Bentonville, AR Utilizing industrial materials including static climbing rope and neon acrylic panels, this work merges the colors and forms the Peruvian landscape, Inca mythology and religion with western domestic decorative references as an exploration of contemporary gendered power inequity. In this work the Inca moon goddess, Mama Killa (the Hispanicized spelling of the Quechua Mama Quilla) is appealed to as the goddess of menstrual cycles and defender of women. The tassel hooks take inspiration from the Oncidium Orchid, also called the “dancing lady”, one of 425 species of orchids found within the Peruvian Andes Mountain range and the tassels themselves reference the Inca khipu (pronounced key-poo), a system of intricate knotted cords for recording numbers. The title is a reference to lyrics from the 1977 song Psycho Killer by the Talking Heads.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1686878780205-Q2E0XSCLPCACHOZ6HOGM/PXL_20230412_131750959.jpg</image:loc>
      <image:title>Projects - A Mother’s House Has a Room for Every Child</image:title>
      <image:caption>2023, Ripstop nylon fabric &amp; batting, 14’ x 20’ The Medium, Springdale, AR Taking formal cues from the warmth and home sewn character of interior domestic spaces, this temporary site specific work reimagines the materiality of the architectural façade as something that is sewn. The artwork rejects the relegation of the decorative to mere accessory and instead celebrates softness and comfort as essential structural components. The installation was exhibited as part of the exterior group exhibition, Soft Power: Intersections of Belonging and Public Space, on view at The Medium from April 7 - May, 2023 and featuring installations by Cindy Arsaga, Kalyn Barnoski &amp; Simone Cottrell, Danielle Hatch, and Ziba Rajabi. The four site-specific artworks explored the geography of gender through its design, inscription and expression in public space and architecture</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1686879219799-ZFEI7JKHLOVBLR40S2HR/I_am_nothing_I_am_everything-47.jpg</image:loc>
      <image:title>Projects - I Am Nothing, I Am Everything</image:title>
      <image:caption>2023, Interactive durational performance, Dimensions variable Interform Assembly This interactive durational performance reflects on notions of woman's biological and social purpose connected to communal care and motherhood. The artist, encased in a ruffled dress made of over 300lbs of cake, invites participants one by one to cut off a piece of cake, a process simultaneously joyful and destructive. Through this performance Hatch embodies the tension inherent in archetypal maternal figures, embracing both the generosity of nourishing others and its accompanying self erasure.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1686880539473-144MSX6UZ741MUAQKI43/Hard_Feelings_Danielle_Hatch-29.jpg</image:loc>
      <image:title>Projects - Hard Feelings</image:title>
      <image:caption>2023, Site specific installation (ripstop nylon fabric &amp; thread), 13' x 6' x 6' Interform Assembly, Springdale, Arkansas This large scale fabric installation acts as a moment of invasive craft, embracing softness in a space of industrial materials and scale. In contrast to the space's harsh geometry and the disconnect of contemporary architectural spaces from the organic world, the installation echoes the patterns of groundcover moss with their biomorphic curves and eccentric intricacies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1704662212124-O7HA0PCCG2QKFW40ZI4T/DH_all_the_soarings-3.jpg</image:loc>
      <image:title>Projects - All The Soarings Of My Mind Begin In My Blood</image:title>
      <image:caption>2023, Performance and single-channel video projection. FORMAT Festival</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1704664734688-AEHOTTZ0FG5OZRK9E0O7/DH_format_festival_outdoor-28.jpg</image:loc>
      <image:title>Projects - Tent Cozies</image:title>
      <image:caption>2023, Site specific textile installation, 10’ x 20’ x 10’ Format Festival</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1704667608558-5QQTOHAOJZZ77WC97TZI/LIA_Yard_Party_Danielle_Hatch-21.jpg</image:loc>
      <image:title>Projects - More Delicious, More Lovely, More Beautiful</image:title>
      <image:caption>2023, Site Specific Textile Installation, 24’ x 19’ x 8’ Live in America Residency, Springdale, AR Exploring the role of gender in domestic decorative craft and baking, More Delicious, More Lovely, More Beautiful, invites viewers to consider softness and beauty as essential to our shared neighborhood landscape, and examines baking as a historical site of feminine power. The building exterior is transformed into a space of radical refusal of the status quo that divides interior and exterior domestic environments, embracing instead a language of visual freedom and decoration.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1712172195446-GXPLASAVGNORH4U6C5UC/IMG_5738%2B%25281%2529.jpg</image:loc>
      <image:title>Projects - All the Petals Packed Inside Her</image:title>
      <image:caption>2024, Fabric and wood armature, 14' x 13' &amp; 12' x13' Site specific fabric installation at the Mid-America Arts Alliance’s Culture Lab in Kansas City, MO.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1724103074402-A4OUVVBNPWF3XFBMQ58C/smaller+web+01.jpg</image:loc>
      <image:title>Projects - All Is in Motion, Is Growing, Is You</image:title>
      <image:caption>2024, Site Specific Textile Installation, six 9’ x 24’ panels Tephra ICA Arts Festival, Reston, VA. 'All Is in Motion, Is Growing, Is You' is a site specific textile installation and accompanying performance by artist Danielle Hatch. The works take inspiration from the founding of the community of Reston, in particular the negotiation between the role of the individual and the collective in the process of community building. The space of Reston Town Center is explored as a site of possibility, transformation and connection. With colors and shapes informed by native flowering plants of Northern Virginia, the installation and performance negotiate the tension between beauty and constraint within communal relationships.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1724102007894-OC9I73XFKRDBF0KGRUH0/DH_tephra-5.jpg</image:loc>
      <image:title>Projects</image:title>
      <image:caption>Collaborators: All Is in Motion, Is Growing, Is You 2024 Fabric installation and performance at the Tephra ICA, Reston, VA. The site specific performance and installation take inspiration from the founding of the community of Reston, in particular the negotiation between the role of the individual and the collective in the process of community building. The space of Reston Town Center is explored as a site of possibility, transformation and connection. With colors and shapes informed by native flowering plants of Northern Virginia, the installation and performance negotiate the tension between beauty and constraint within communal relationships. Audio composition by Amos Cochran Choreographer Amber Vanchiere Dancers Jin Dance Company Photographer and videographer Ashlyn Gulbranson Commissioned by the Tephra ICA, Reston Community Center and Reston Town Center.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1754338307870-VKCPDSSFJ4RZB0RDG5DI/IMG_8098.jpeg</image:loc>
      <image:title>Projects - Of Pleasure, Of Curiosity, Of Intelligence</image:title>
      <image:caption>2025, Textile Installation, 24’ x 12’ x 6’ The Gregg Museum of Art and Design, NC State University, Site specific textile installation exploring the Gregg Museum’s location as a meeting point between the NC State campus and the broader Raleigh community. Examining the ‘town and gown’ concept and its ties to NC State’s textile history, emphasizing patterns and dressmaking as expressions of feminine identity.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1758554689603-XHJN2VS1EGX6UHPLJ8W6/Danielle_Hatch_01.jpg</image:loc>
      <image:title>Projects - Her Divided Loyalties, Her False Good Cheer</image:title>
      <image:caption>38”x 30”x 28” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59a4333da803bb05775c15c5/1769530463540-V8A1AHHPJS1FLNTQZJPW/Smaller+pic+2.jpg</image:loc>
      <image:title>Projects - Our Story Starts With a Tear</image:title>
      <image:caption>2025 mixed media installation, sculptures &amp; performance (textiles, reclaimed steel &amp; plywood stage, remnant furniture, nine course meal) Inverse Performance Art Festival 24' x 27' x 40' Through the format of a participatory nine-course meal, the performance encompasses aspects of ritual, play and emotional exchange. Thematically, the work explores both the geography of motherhood and mothering as survival, examining the mother/infant relationship through the lens of the work of psychoanalyst and pediatrician DW Winnicott.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.daniellehatch.com/storm-forte</loc>
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    <lastmod>2025-04-23</lastmod>
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      <image:title>Storm</image:title>
      <image:caption>Photos by Matthias Heiderich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456171157330-Z5XVKCTPUYUE2AD94EVD/MatthiasHeiderich-082-2500x1875.jpg</image:loc>
      <image:title>Storm</image:title>
      <image:caption>Photos by Matthias Heiderich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456171158408-F6VN8IKEIBGD5CE4U5P9/MatthiasHeiderich-081.jpg</image:loc>
      <image:title>Storm</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456171160399-1E9R8BAYULMQQWR1Z7XL/MatthiasHeiderich-084.jpg</image:loc>
      <image:title>Storm</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456171161185-4Z0ZZ5QXWXTA0P7Y42T2/MatthiasHeiderich-085.jpg</image:loc>
      <image:title>Storm</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456171159463-4U2O5XBSLHV0X8B38VHD/MatthiasHeiderich-083.jpg</image:loc>
      <image:title>Storm</image:title>
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  <url>
    <loc>https://www.daniellehatch.com/beast-forte</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456172520505-VBOZM0WDHSSUPJ8T5P37/MHeiderich-NIP01-edit.jpg</image:loc>
      <image:title>Beast - Beast / March 2016</image:title>
      <image:caption>Photos by Matthias Heiderich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456172520505-VBOZM0WDHSSUPJ8T5P37/MHeiderich-NIP01-edit.jpg</image:loc>
      <image:title>Beast - Beast / March 2016</image:title>
      <image:caption>Photos by Matthias Heiderich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456172170435-9RGRCZTTHCA7OJETR983/MHeiderich-NIP02.jpg</image:loc>
      <image:title>Beast</image:title>
      <image:caption>Integer non nisl at mauris faucibus pharetra eu eu mi. Sed vitae feugiat purus. Vivamus dignissim orci eros, nec aliquet odio varius non.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456172168452-6BOOWK70YT8B67VBDIIY/MHeiderich_ReflexionenZwei-01.jpg</image:loc>
      <image:title>Beast</image:title>
      <image:caption>Aenean placerat metus et quam scelerisque posuere. Fusce odio velit, rutrum vitae velit vitae, dignissim varius neque. Donec nec justo sed mi ultrices suscipit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456172168312-8F3SBHWN6VQ6ZSUSTD06/MHeiderich_ReflexionenZwei-04.jpg</image:loc>
      <image:title>Beast</image:title>
      <image:caption>Phasellus at arcu arcu. In non vestibulum magna. Morbi eu tempor dui. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.daniellehatch.com/blog-forte</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-23</lastmod>
  </url>
  <url>
    <loc>https://www.daniellehatch.com/blog-forte/2016/2/22/alveolar-glottis-etwd7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456175561685-689P6R253SY7L7ZUGS8M/image-asset.jpeg</image:loc>
      <image:title>Blog - Alveolar Glottis</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.daniellehatch.com/blog-forte/2016/2/22/plosive-morphological-syntax-rxsws</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-02-22</lastmod>
  </url>
  <url>
    <loc>https://www.daniellehatch.com/blog-forte/2016/2/22/frication-e6j6g</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456174786658-ESX1F0ACTUBD7T6HVWJG/image-asset.jpeg</image:loc>
      <image:title>Blog - Frication</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.daniellehatch.com/blog-forte/2016/2/22/velar-aspirations-jm9kr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456174567838-NZSZDT1CEPPUG0P5I32P/image-asset.jpeg</image:loc>
      <image:title>Blog - Velar Aspirations</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456174600196-5M3EV7ID7V960T95AIHY/image-asset.jpeg</image:loc>
      <image:title>Blog - Velar Aspirations</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.daniellehatch.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-04</lastmod>
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      <image:title>About</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.daniellehatch.com/read-me-forte</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2025-04-23</lastmod>
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